Project Steve

A dress rehearsal is a very hard thing to do when you are an improvised show. For one, you don’t have an audience to make suggestions. Luckily the techies are on hand to give suggestions, if in a somewhat grumpy and sarcastic way. The ever-wonderful Mr Jon Pretty was on hand to take some photos of our performances. The gallery is included below.

Some members of Project Steve (Alex, Laila and Rich) along with official Steve hanger on Jon took a trip to the seaside today to relax before the stress of the show. Some of the less awful photos are included below.

Hooray, hooray, we’re off today!

Fun filled train hours to come… and the opening afternoon show so soon! (That’s 2.45, Augustine’s, George IV Bridge, in case you possibly didn’t know… )

Hopefully see you in Edinburgh!

The AIHOAE tee-shirts have arrived. Witness their beauty as modeled by lovely James Sharpe. He graciously took time out from rehearsing Once Upon a Time to dress like a banana.

Look at how happy he is

Hello! Me again. Less than a fortnight till we go to Edinburgh. Steve did a really awesome run through yesterday, with a particularly good opera, so I was very proud.

That’s pretty much it really, apart from the fact that Dan, our joyous techie, joined us at our practice on Sunday and the actors played some games with his library of sound effects, we tinkered with the Line of Time, and came up with a whole new kind of audience warm up, which should be really great, but I’m not going to say anything about that now, you’ll have to come and see us in Edinburgh to experience it in person, or simply come and see our

PREVIEW SHOW!* Yup, we got tired of telling our Cambridge based friends that no, we weren’t going to be performing anywhere apart from Edinburgh, and decided to organise a preview. It’s on Sunday (this Sunday, the 16th) at 7.30 in Keynes Hall/Chetwynd Room in King’s. Everyone should come and see it and seize control of the joystick of history.  :)

*My, that was a long sentence. It’s because I’m excited.

Imagine meeting that on a dark night...

I’m Project Steve’s musician, which means playing the keyboard, getting the actors to sing, and improvising operas on the spot. When the actors look all professional playing invisible instruments, that’s me. Me! I’ve been doing this since 2007 when ICE swept up and am starting to worry that I’m forgetting how to read sheet music. Lines and dots, right?

I’m the baby of the group. There’s nearly a decade between me and Dr Wareham, although while he retains startlingly youthful looks, I am prematurely aged from the stress of so much improvised music (see photo) such that he is often mistaken for my younger brother.  

I am deeply, passionately in love with Wolfgang Amadeus Mozart, who has rocked my little piano playing socks since I was about 6 years old. Various attempts have been made to beat this out of me, such as burial alive and exposure to Schoenburg, but to no avail.

I come from the Other Place, or as near to it as makes no difference, in what can only be described as  a small village in Hobbit Country. My feet are in fact preternaturally hairy, which does not affect my musical output in any way.

I can also play other instruments, and sometimes even write music down(!). In (even) younger days I was the drummer in a band. It was called Burn the Barbies. Ah, we were young… My ambition nowadays is to pursue my quest to make louder and louder noises, and learn the organ in order to surprise tourists in Trinity Street with massive and intimidating chords.

Buttons scare me, but I like toggles.

I am renowned in certain circles for being able to provide an ‘excellent sensory experience’ for any occasion (The Cambridge Student, Lent Term 2009). I should clarify that the sensory experience in question is limited to the ears (again, see photo).

So that no one is under the impression that the cast currently consists of Rich Wareham only, I should introduce myself! I’m Laila, aka The Girl, aka the Laitron (increasingly often). 

I’m a bit littler than most of the cast in still being an undergraduate and I can’t therefore boast to have been a part of the Days of Yore and productions such as The Crystal Maze, nor am I a founding member of Improvised Comedy Ents. But I have done some other fun things!

Such as a hoste of plays/pantomimes with the Cambridge University Light Entertainment Society, for whom I’ve written, directed and produced as well. In fact, this Michaelmas all Cambridge-based people can look forward to a CULES play written by myself and Hannah ‘Miss-Hannah-Price-at-the-piano’ Price . In addition to CULES I’ve written and directed a version Alice in Wonderland for my college drama society, acted among others in Troy: The Musical, The Diary of Anne Frank,  The Tale of Lancelot Sebastian von Ludendorff and Lady Windermere’s Fan (which, incidentally, you can listen to here) and did some other stuff to, I’m sure.  When joining Improvised Comedy Ents one inevitably suddenly stars in more shows than there are weeks in the term, quite the change from laboriously rehearsed plays, and I’ve been in more shows with ICE than I can off the top of my head count. The highlight was without a doubt Murder Most Improvised, last year’s Edinburgh show. I promise it’s not because of the bloody murders.

When taking a bit of time off from improv and theatre, I study Classics  and am therefore very much hoping the audience will come prepared with Classical suggestions. Especially of historical events with women in (they seem to be even more rare in history than they are in 1920s murder mysteries!).  I very much hope to be able to portray a Livia, Cleopatra, Boudicca, Helen of Troy, or a Medea in one of the shows. The real struggle though seems to be to get to play these women when certain male cast members get excited…  In my next post I might upload a picture of Tom as Florence Nightingale…!

I just sent the flyer images off to the printers today. Given a following wind and a willing deity, they should arrive at the venue in a few days. For the curious among you, I’ve included a gallery of the flyer images in this post. They are also available on the main An Improvised History of Almost Everything website.